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Our
Video DVD products are perfect for sharing your memories with family and
friends. Your investment is dependent upon how many images are used,
digital video (family videos converted), audio inclusion (voice
messages from family), and licensed music if
you so desire. Video DVDs are literally
"production" pieces and can require a significant amount of time
in producing, especially if old photographs or documents must be scanned
and restored.
Many
of our clients request a companion Video DVD of their book design layouts,
which we provide at a special flat rate. We can provide royalty free
music (limited selection), or you can choose to select your own music to
affordably license from Magnatune.
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We
also produce Marketing DVDs for businesses needing to showcase their
product or services. Marketing DVDs are perfect for trade show
presentations, lead follow-up mailers, and target niche marketing.
Stand out from the crowd by having us choose your music direct from
independent artists. We'll research the type of music your
production needs, and then provide you a link so you can listen to the
music we have chosen BEFORE you agree to the license fee.
Many
of our clients ask us to create a companion Video DVD of their book
design. Some never have a book printed, and opt only for the Video
DVD. However you wish to invest is up to you.
By
creating a Video DVD using your photos and words, and incorporating music,
audio, and video, Custom Photo Book is honored to be able to help preserve the memories
for your family's future generations.
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About
Magnatune
Founded
in 2003, Magnatune (
www.magnatune.com) is an independent, online record label that hand
selects its own artists, sells its catalog of music through online
downloads and print-on-demand CDs and licenses music for commercial and
non-commercial use. Based on the principle that "we are not
evil," the company offers fair-trade music to consumers by equally
sharing all revenue from the sale of albums with artists and allowing
artists to retain full rights to their music. All music can be previewed
free of charge with a "try before you buy" philosophy. Customers
can also choose how much they want to pay for the music with pricing
ranging from $5-18 for a downloadable album or print-on-demand CDs.
Magnatune
offers several music licenses that may work well for you. Their
"Video, CD, DVD" license covers both online and physical
distribution of DVDs, including sales. Their one-time fee for this
license can start as low as $19 per song.
Alternatively,
their "single unit" license works well for limited runs, with
the one-time fee starting at $5 per song. If you wanted to use the
music for a public event, such as a wedding, reunion, or corporate event,
they also offer a "Public Space" license that starts at $30 per
album.
The
rates for all licenses can vary depending on several terms, such as
duration and how much music is used. Magnatune is willing to
structure custom agreements (including those that combine different kinds
of use) to fit the needs and budget for any project or event.
Details
about music licensing at Magnatune can also be found at www.magnatune.com/info/licensing.
For
further information, please visit the Magnatune website at www.magnatune.com.
Why I created Magnatune
by
John Buckman, founder/owner
Magnatune
was born out of some observations I'd gathered about the music
industry, along with personal experiences from my wife releasing her
CD on an Indie record label.
Personal experience:
- When my wife was signed to an Indie record label, we were
really excited. In the end, she sold 1000 CDs, lost all rights
to her music for 7 years (even though the CD had been out of
print for many years), and earned a total of $137 in royalties
paid (some of it paid to her as CD copies of her own CD which
she then gave away for promotion).
- The record label that signed her wasn't evil: they were one of
the good guys, and gave her a 70/30 split of the profits (of
which there were few). The label got screwed at every turn:
distributors refused to carry their CDs unless they spent
thousands on useless print ads, record stores demanded graft in
order to stock the albums, and in general, all forces colluded
to prevent this small, progressive label from succeeding.
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Industry
Observations:
- Radio is boring: everyone I know is into interesting music, yet good
music is rarely played on the air. I'm into everything from Ambient,
Industrial, Goth, Metal to Renaissance, Baroque, Tango, Indian
Classical and New Age (and many other genres!), and so are many of my
friends. Yet, these genres are barely visible in record stores, and
totally absent from the airwaves. Radio is mostly about Country, Pop,
and Rock, with a little bit of dull, safe classical thrown in.
- CDs cost too much, and artists only get 20 cents to a dollar for
each CD sold. If they're lucky. And, most CDs quickly go out of print:
I buy more CDs from EBay than Amazon.
- Online sales (such as over Amazon.com) often cost the artist 50% of
their already-pathetic royalty (due to a common record contract
provision). International sales and mark-downs often net the artist no
royalties.
- Record labels lock their artists into legal agreements that hold
them for a decade or more. If it's not working out, labels don't print
the band's recordings but nonetheless keep them locked into the
contract, forcing them to produce new albums each year. Even hugely
successful artists often end up owing their record label money.
- Napster, Gnutella and Kazaa proved that people love music, and they
want to share it. Lawsuits may shut Kazaa down (and Kazaa obviously
promotes copyright violation), just as Napster was shut down. Clearly
there's a huge public demand for Open
Music.
- Using the Internet to listen to music is usually tedious: there are
too many ads, too many clicks, and the sound quality is usually bad.
It's too much work, not enough reward. A well run Internet radio
station (such as Shoutcast, or Spinner) solves that, but the
entrenched record industry wants to kill that too, with onerous
licensing terms and odd "rights limited" playback schemes.
- I read this
article by Courtney Love six months after starting Magnatune, and
was stunned by how much I have in common with her vision and
understanding of the music business. And, she's much more eloquent
than I am.
My solution:
- I thought: why not make a record label that has a clue? That helps
artists get exposure, make at least as much money they would make with
traditional labels, and help them get fans and concerts.
- Magnatune is my project. The goal is to find a way to run a record
label in the Internet Reality: file trading, Internet Radio,
musicians' rights, the whole nine-yards.
- If you think Magnatune is a worthy goal, please support it. There
are powerful forces who want it to fail, so I need your help if this
is going to work.
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John
Buckman, Magnatune founder/owner
Magnatune was originally founded in April 2003, in Berkeley,
California.
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Photo credit for Buckman photo-animation at top of page
and for home page "John-in-a-frame" photo: Sheila Newbery.
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